Showing posts with label Modern glamour. Show all posts
Showing posts with label Modern glamour. Show all posts

Friday, 24 July 2009

Mullholand Drive - Star Gazer

This was my first house feature I ever did and I think it's still my favourite. After all these years the home is still as seductive as when I went there. It really shows when designing not to follow trends but aim for over the top  grandeur and you will have a home that will forever wow your visitors. 

"LA is a sexy place. If you are going to live here, you want a sexy house" says Steven Silverstein, in his native Los Angeles accent. "Somewhere that puts you in the mood to have a drink - to have a party. You know what I am saying?" Steven, a semi-retired fashion photographer and his Texan wife Gina, gave themselves the unthinkable time frame of one week to find a Fifties Modern house to purchase when they moved back to the United States from Paris. 

Their agent, a former Rodeo Drive haridresser, found them a 1958 classic by architect Richard Dorman which was completely out of the, couples price range. But the pressing time frame and 'love at first sight' prompted them to seal the deal. Today it's a place that has recaptured a romantic age of cocktail parties and the silver screen.

The house was built as one of the first show homes in this exclusive area, high in the hills above Hollywood, just off Mullholland Drive. These dwellings gave many movie stars, film directors and LA socialites their first taste of life in a modern home. Its striking roof, which swoops down from seven metres at its apex to just 1.5 metres at other corners, is all that can be seen over the boundary wall, but on the other side, three walls of glass means the boundary between indoors and the green canyon below with its deer, raccoons and coyotes, vanishes. It's the nuances of different light here that Steven loves. 

The mostly original interior includes turquoise splashed on redwood, mosaic double-sided fireplace, natural wood built cabinetry and Fifties light fittings. "The reason why we fell in love with this house is because it was unchanged, it was pure. We were taken aback," says Gina. "Dorman visited us which has made us really respect the house. He said it was his favourite project".

"Although we were cautious not to change the original colour schemes, there was a little too much turquoise in this house for our taste," admits Gina. The couple decided to sand down the kitchen counter top and the wood panel walls in the den, just leaving a trace of the colour in the wall's grooves. The original mosaics in the bathroom were repaired and a new slate floor put down in the bedroom. Even the Fifties black lino tiles were retained and waxed to a sheen. "We are both preservationists at heart," she says. "I think people rush into doing up homes to quickly". 

Antique stores in LA and Dallas were scoured to find furniture by legendary Fifties designers, such as Eames, Knoll and Nelson. "Because the house has nostalgia, it felt only right to have furniture and accessories that had contemporary clean lines and bold colours to match the preiod," says Gina. 


Guests who don't want the couple's infamous Hollywood parties to end are drawn to the kitchen in the early hours of the morning. The kitchen, a cocoon in the middle of the house, is lined with rich timber. It is the only room that is sheltered from the windows overlooking the San Fernando Valley.


The Silverstein's honesty to the period could have made their interior predictable but the couple's fun choice of colour and mixture of old and new have made it unpretentious and full of character. They were given a head start by purchasing an original Saarinen Knoll table and a chandelier from the previous owner which had been in the house since it was built. They also inherited some Eames chairs which, after their tattered shark skin covers were stripped off, revealed their original coloured fibreglass.

Steven has always had a love affair with Fifties and Sixties glamour. "I grew up in LA. I grew up with cars with fins. I saw turquoise mixed with white and colourful interiors. This way of living is in me from my childhood," he says. At 223 square metres it is small but, he says, "Who needs a McMansion to be happy? I have always dreamt about living in a house like this".


All pictures by photographer Richard Powers

Saturday, 18 July 2009

Jonathan Adler and Simon Doonan's Happy Chic


When I got to meet Jonathan Adler and interview him about his new Palm Beach residence my heart raced one thousand miles per hour. Why? His mantra is everything I believe in how to help achieve a happy home. Plus I know we would be BFF if I got to hang out with him. I love colour he loves colour, I love animal ornaments he makes animal ornaments, he is funny and I love to laugh. Sure sometimes his interior design is a bit too polished for us European's but you can't deny when you walk through one of his creations you get caught up in his quirky take on glam. It's obivous there is a lot of fans out there. His hotel renavation of The Parker in Palm Springs in 2004 has been splashed across the press with great acclaim and faithful fans have pilgrimaged to the welcoming and ecelectic hotel full of charm and character.

Jonathan shares his Seventies Palm Beach apartment in Florida with English-born Simon Doonan, the creative director of Barneys New York, and their beloved Norwich terrier, Liberace. And though Simon is no stranger to taste with a capital T, Jonathan admits he had free reign when it came to designing their beachside getaway. 'Simon lets me play. He's always amused by what I bring into our home,' says Jonathan.

His signature style of modern shapes, vibrant colours, organic patterns and wry sense of humour works perfectly in this dreamy and airy holiday home in eccentric Palm Beach. 'We love it here - it's glamorous, posh and comical. It's worth being here just to see the women with their lacquered hairstyles and the to-die-for vintage furniture stores,' he says.

Jonathan has filled their home with quirky finds, all surrounded by a backdrop of white. The result is a unique, witty and liveable home that's the ideal escape from the harsh winters in New York. 'Happy chic is my design philosophy,' explains Jonathan. 'I wanted this house to represent sun, sea, fun and happiness.'

I asked Jonathan his tips for modern glamour...

ON WHY SIZE MATTERS
'To stop a home feeling depressing and bland, it's good to have a sense of eccentricty. Opt for oversized objects and pieces that make you smile to add a sense of the fantastical to a room'.
ON DISPLAY
'I love to exhibit everything from pottery to furniture and textiles. Aim for choreographed disarray: I don't think anything should look too perfect.'ON COLOUR
'The key to our home is my love of colour. As far as I'm concerened, if the colours are strong then they don't clash'.

ON CREATING A NEUTRAL CANVAS
'The first thing I did was paint the whole house white and then set the tone with the luxurious limestone floors. A neutral backdrop makes the layers of bright colour instantly more vibrant and alive.'
ON FLOORS
'Using a large graphic rug is the perfect way to anchor furniture in an open space.'
ON ETHNIC TOUCHES
'I try to use a lot of ethnic craftsmanship. I work with Peruvian artisians who hand-loom a lot of my woven textiles'.
ON COLLECTING
'I'm always drawn to quirky and idiosyncratic bits; I'm an eclectic rooted in Modernism. I suggest being true to yourself and buying stuff you love. You must have confidence in what you purchase because to make a visually strong display you need to have a lot of it'.

ON KEEPING THINGS FRESH
'I bring new pieces home all the time so I'm constantly moving things around. The house functions as a lab for me to try out different ideas.'

ON CONFIDENCE
'You should never be scared of colour. Add vibrant hues to a neutral backdrop to give a room playful punctuation.'


ON THE FEEL-GOOD FACTOR
'Your house should be fantastic and fun. Sometimes the road to happiness is simply a great pad'.


Super talented New York based photographer Ngoc Minh Ngo flew down to Palm Beach, Florida to photograph this story for me.